French Paper Ordering FAQ: What I Wish I'd Known Before My First (and Costliest) Mistake
I've been handling print production and specialty paper orders for a design agency for about eight years now. In that time, I've personally made (and meticulously documented) at least a dozen significant mistakes, totaling roughly $4,200 in wasted budget. The worst part? Most were avoidable with a simple checklist. So, I'm answering the questions I had when I started, and the ones you might be too embarrassed to ask.
Q1: Is French Paper really that different from other brands like Mohawk or Neenah?
Yes, and no. Here's the insider knowledge: all major brands make quality paper, but French Paper's character comes from its specific manufacturing. They're an American-made heritage brand known for distinctive, saturated colors and unique textures you can't easily replicate elsewhere. Think of it like paint: you can get "blue" from any brand, but French Paper's "Pop-Tone" blues have a specific vibrancy and feel. I once assumed "same specs" meant identical results across vendors for a client rebrand. We used a French Speckletone for the initial launch materials, then switched to a competitor's similar-looking stock for a later batch to save a few bucks. Side-by-side, the difference was obvious—the competitor's sheet felt flatter, less tactile. The client noticed. We had to reprint. That $890 lesson taught me: if the brand identity is tied to a specific paper feel, don't substitute without a physical sample in hand.
Q2: I love the colors online. Will my printed piece match my screen?
This is the million-dollar question (or, in my case, the $650 question). The short, honest answer is: not exactly, and that's normal. Screens emit light (RGB); ink sits on paper and reflects light (CMYK). French Paper's colors are especially rich, which can make the screen-to-print shift more noticeable. What most people don't realize is that the paper color itself is a huge part of the equation. Printing a vibrant red on French's "Buttercream" (a warm, creamy white) will look completely different than printing it on their "Bright White." My biggest mistake? Approving a digital proof on my calibrated monitor without considering the base paper tone. The result looked muddy and dull. Always, always order a physical proof on the actual paper stock for color-critical projects. It's the cheapest insurance you can buy.
Q3: What's the deal with "color consistency" between batches?
This is a crucial point that vendors (not just French) are careful about. Specialty papers, especially those with mixed fibers or unique pigments, can have slight variations between production runs. According to industry standards, these variations are considered normal. French Paper won't (and no reputable mill will) guarantee 100% color matching across all batches, year after year. I learned this the hard way on a multi-phase project where we ordered 5,000 envelopes in January and needed another 2,500 in June. The second batch was close, but perceptibly different under studio lighting. We couldn't use them together. The solution? For large projects or those you know will have reorders, order all the paper you'll need at once and store it properly. If that's impossible, plan for the possibility of a slight shift and design accordingly (maybe make the reorder a distinct but complementary piece).
Q4: How eco-friendly is French Paper, really?
French Paper is transparent about being an eco-friendly manufacturer. They use renewable hydropower for production and have robust recycling programs. But here's something to think about, per FTC Green Guides: terms like "recyclable" have specific meanings. French Paper products are recyclable in many paper streams, but always check with your local municipality. The bigger sustainability win with any premium paper is designing for longevity—creating something so beautiful and tactile that people want to keep it, not toss it. That's a design challenge, not just a paper spec.
Q5: I need envelopes. Any pitfalls with French Paper envelopes?
Oh, envelopes. My personal nemesis. French Paper makes gorgeous, sturdy envelopes. The pitfall is in the specs. Check the flap style and sealing method. Some are standard gummed flaps, others are peel-and-seal. I once ordered 1,000 A7 envelopes for a wedding suite, assuming they were self-seal. They were traditional gummed (meaning you have to lick them). The bride was not amused. We had to provide glue sticks for all 1,000 invites—a small but embarrassing fix. Also, remember USPS regulations! If you're mailing them, ensure the size and weight fit First-Class Mail requirements. A square invitation envelope, for example, often requires extra postage.
Q6: What's the one mistake you see everyone make?
Not ordering enough for spoilage. This is prevention-over-cure 101. You order 500 beautiful letterpress business cards on French Paper's thick cover stock. The printer needs 550 sheets to account for setup, testing, and the inevitable few that get damaged during production. If you only ordered 500, you're stuck. Either you pay a huge premium for a tiny second run (which won't match perfectly), or you get 480 cards. I built a 12-point checklist after my third mistake, and the #1 item is: "Add 10-15% overage to the paper quantity." It has saved us an estimated $3,000 in potential rework and rush fees over the past two years. Five minutes of math beats five days of panic.
Q7: Any final, non-obvious tip?
Talk to your printer before you finalize the paper choice. Seriously. I skipped this step because I was confident, and we chose a beautiful, heavily textured French Paper for a detailed, fine-type brochure. Our digital printer called to say the texture would make the small text illegible. We had to scramble and change the entire paper selection 48 hours before the deadline, paying rush fees. A good printer knows which stocks run well on their equipment. Their 2-minute advice is free. The alternative is pretty costly.